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The early Middle Ages

From the 4th century onwards, many foreigners whom the Romans called "Barbarians" immigrated to the Empire. Most of them were Germanic.

From the 4th century onwards, many foreigners whom the Romans called "Barbarians" immigrated to the Empire. Most of them were Germanic. Their migration intensified in the 5th century and when the last emperor was deposed in 476, these Barbarians became the masters of Western Europe.

Among the Barbarians was Clovis, the Frankish king of the Merovingian dynasty, who reunited Gaul: it gradually became Francia. The Middle Ages began, but in the 6th century ("Early Merovingian"), the way of life was still very much influenced by Antiquity, although the Germanic contribution was visible in many areas. The situation changes in the 7th century ("Late Merovingian") when medieval society really emerges: funeral practices and costume reflect this.

On the contrary, from the end of the 8th century, the Carolingian dynasty (751-987) sought to revive Antiquity within the framework of a "Renaissance" that was clearly visible in art.

However, in the daily life of the Franks, the difference between the Merovingians and Carolingians was hardly visible.

Les objets

Bijoux
Media Name: GR_MAN57279_E_Tombe_Lavoye.jpg
© ©RMN-Grand Palais / Jean-Gilles Berizzi
Mobilier de la tombe du « chef » de Lavoye

Lavoye (Meuse), sépulture n°319

Fin du Ve-début du VIe siècle apr. J.-C.

Bijoux
Media Name: MOY_MAN8718887189_R_Basilique.jpg
© ©RMN-Grand Palais / Jean-Gilles Berizzi
La plus ancienne sépulture mérovingienne de la basilique de Saint-Denis

Saint-Denis (Seine-Saint-Denis), basilique de Saint-Denis, sarcophage n°23

Vers 475-500

Accessoires du costume
Media Name: MOY_MAN17698_R_Franche-Comte1.jpg
© ©RMN-Grand Palais / Gérard Blot
Belt Plaque
Area around Mâcon End of 6th century

The plaque, framed with two inscriptions “Daniel, the prophet” and “Habakkuk, the prophet” is divided into two panels depicting the prophets Daniel and Habakkuk. This type of large, rectangular plaque fastened the broad leather belts worn by women and sometimes by priests in ancient Burgundy (Burgundy, Franche-Comté, the Rhône-Alpes region and eastern Switzerland). These bronze moulded plaques often had Christian motifs. The prophet Daniel in the lions’ den is often represented in this way, as it symbolises the help God will provide for the faithful.

On the reverse side, the plaque had two compartments marked out with partitions. It would once have been covered with an iron plate with a fastening device. The plaque, therefore, served as a portable reliquary. Fragments of wax from candles, and capsules of cotton, probably brought back from distant pilgrimages, have been found inside similar belt plaques. In the Merovingian era, clerics as well as lay persons, carried “contact relics” for their protection: fabric that had been placed on the tomb of a saint, oil or wax from sanctuaries, plants brought back from pilgrimages.

In Babylon (the Mesopotamian town where the Jewish people spent their 70 years in captivity), during the reign of Cyrus, the prophet Daniel, a character from the Old Testament, had been thrown into the lions’ den, but, protected by God, he remained unharmed for six days in the midst of the starving lions.

The Merovingian artisan has depicted Daniel with his arms raised as if praying, while his feet are licked by two lions with strange antler-like branches on their heads. These probably derived from the shrubs that rise up behind each of the lions in Paleochristian representations of the same scene.An image like this shows us that the inhabitants of Gaul often had no visual concept of the lions mentioned in the Bible.

Explanatory note:In Judea, a region of Palestine in the heart of Jewish lands, one of the Lord’s angels scooped up Habakkuk who was taking food to the harvesters, and put him down in Babylon above the lions’ den in order to feed Daniel. The artisan has depicted Habakkuk, like Daniel, with his arms raised in an attitude of prayer. From his arms hang two baskets of foodstuffs.

autel
Media Name: PM_MAN20580_P_AW_Saint-Marcel-de-Crussol.jpg
© ©MAN / Valorie Gô
Table d'autel paléochrétienne

Saint-Marcel-de-Crussol (Ardèche)

Fin du Ve-1ère moitié du VIe siècle apr. J.-C.

Armes
Media Name: Hache danoise
© ©RMN-Grand Palais / Loïc Hamon
Hache danoise

Les Andelys (Eure)

Milieu du IXe-début du Xe siècle apr. J.-C.

Armes
Media Name: Epée du « chef » de Chaouilley
© ©MAN / Valorie Gô
Épée à anneaux du « chef » de Chaouilley

Chaouilley (Meurthe-et-Moselle), sépulture n°20

Entre 520 et 570 apr. J.-C.

chapiteau
chapiteau composite
© ©RMN-Grand Palais / Loïc Hamon
Chapiteau composite à anses en forme de poissons

Région du Sidobre (Tarn) ?

VIIe-VIIIe siècles apr. J.-C.

Armes
Scramasaxe de Chaouilley
© ©RMN-Grand Palais / Franck Raux
Le scramasaxe à décor d’animaux fantastiques de Chaouilley

Chaouilley (Meurthe-et-Moselle)

Fin du VIe-début du VIIe siècle apr. J.-C.

plaque
Media Name: o_Plaque_Grésin_pma.jpg
© ©RMN-Grand Palais / Hervé Lewandowski
Le Christ paléochrétien dit de Grésin

Le Broc (Puy-de-Dôme)

Ve-VIe siècles apr. J.-C.

Bijoux
Media Name: o_bijoux_Estagel_pma_20191014_11_vg_43.jpg
© MAN/Valorie Gô
Bijoux du cimetière wisigoth d'Estagel

Tombe n° 8 d’Estagel (Pyrénées-Orientales)

Vers 475-550

Accessoires du costume
Media Name: Plaque-boucle représentant probablement Daniel jeté dans la fosse aux lions
© ©MAN / Valorie Gô
Plaques-boucles à motifs chrétiens

Sancé et Mâcon (Saône-et-Loire)

VIe siècle apr. J.-C.